It’s Sunday and my day is starting early. I woke before 6am and tried to go back to sleep but its futile. It’s almost 7 now so it’s not like I didn’t try to resist getting up. Hopefully Jim can get some extra rest with the absence of my tossing and turning. Hopefully he’ll text me when he does wake up so I can sneak back in and get some snuggles in. Hopefully the kids sleep in too.
So much hope.
My weather app is reporting snow showers. It’s already the coldest morning of fall yet with temps bottoming out at 34 degrees. Which means that if it is snowing, it won’t be for long. Another degree and that snow will turn to rain. And then the dusting we’ve gotten over night will be gone.
Kind of a bummer that I don’t have anything more exciting than that to talk about. Hey.. do you remember when I used to report on my stats every Sunday. Yeah, so I guess compared to that, talking about the weather is aaaallllll-right.
Yesterday I got my manuscript back from a friend whose helping me fine-tune it for submission. The original contest I was looking into for this has a deadline of today. This means most of my day will be spent on editing. And there’s a lot of comments and suggestions to get through.
Sometimes I think poems are never done. I used to ask this question when I attended workshops. “How do you know the poem is done?” Now I recognize the reason the question never seems to get answered.
The author talks a little bit about their process and evades any definitive answer. It’s because there isn’t one. The poem is never done. Stick with me here…
You write a poem. It comes from a combination of experience, state of mind, and knowledge. These shifting variables are how that line break ends up there and One word is chosen over another. Sometimes the poem writes itself and then you sit back and are like, “holy wow, there’s a poem.”
Then, if your like me, you’re making eyes at this new baby like it’s the best baby in the world. Why is it that each new poem feels brilliant? Because you’re still basically the same person (experience, mood, knowledge) as you were in that inspirational moment. But wait a hot minute.
State of mind is the fastest shape shifter. From one day to the next it can render a read of the poem with dramatically different outcomes. One day you love it. The next, you hate it. . Yeah, mood is pretty powerful. I’ve sat down to revise poems and end up throwing my hands up in the air because all the poems are terrible. I’d say, forget about it!!
Then, two days later I return again and things are softer. The words sneak back into my good graces. And I wonder why I had been so hard on myself (or the poem!).
But that’s just one factor. Experience and knowledge are others. As time has a habit of doing, it changes you. If you put that baby of a poem on a virtual shelf and don’t look at it for six months, donuts to dollars it WILL be different when you pull it off the shelf. But it’s not the poem, it’s the writer.
Perhaps in those six months you’ve fallen out of love with the person the poem is about. Maybe they cheated on you and broke your heart (that bastard!) and you read the poem with a new perspective. Is it better or worse? Are you still attached to it or over it? It’s so subjective.
And as for actually revising, each new thing you learn causes you to rethink a choice. I’ve taken the same poem and revised with like a dozen different techniques, tried and true methods, and personal experimental ones.
Again, it’s sometimes tough to sit back and be objective about the result. That’s why getting other eyes on it is so important. Other people can look at your work more objectively and perhaps point out something that’s better or different or more effective. Probably they will find something, and are not going to just tell you to toss it out as rubbish.
Back to the question at hand. When is it done done? When is enough enough? Don’t ask me.. I don’t know. 🤣
I thought for sure my answer would be, “once it’s published”, but now I’m revising poems that have already been published for a full length book and still finding ways to tighten and improve them. Swap this verb for that one and change the way the stanzas are arranged.
Yeah, three line stanzas for sure work better to enhance the unbalanced nature of the topic. Four line stanzas are structured and stable and confident. The speaker of that poem is definitely unbalanced and is teetering like a three legged table. Much more effective.
That’s something I learned at a workshop this summer. And now I can’t unlearn it. So if I’m revising, it’s now one of the things I’m thinking about. The difference between the one, two, three, and four line stanza. And what about five or six? What do each of those mean?
Where does the madness end?
Well, at some point you just have to be satisfied with it I guess. Which comes back to mood again. There are days when I still think some poem is the best thing since sliced bread and that’s the day I pull the trigger and send it out into the world to see if it can find a real home. Three days later I’ll look again with a facepalm wondering what I was thinking.
Today I don’t have time to think to much. And I certainly don’t have the luxury of waiting another day to see if my mood improves. Which is ok, since I’ve looked at the poems in this manuscript so many times and for so long, that I’m kinda over them. And I feel that makes me more objective than ever.
Accepting and rejecting suggestions and making edits like a boss! Today’s the day!!
Huh. And here I thought I had nothing to write about. Go figure!
It’s 8am now and my weather app is reporting the snow has stopped and has been replaced by fog but the temp is holding steady at 34. It’s the perfect day for a hot cup of cocoa and editing poetry. Time to get on it!
Peace and Love,